![]() Sauron and the orcs are still an absolute evil. ![]() It is too much to suggest that The Two Towers challenges the rigid moral order of Tolkien’s world. The victims are those displaced and driven out. Instead, they are fought by people in all their imperfection – their hopes and fears, their strengths and weaknesses, their desires and doubts. The Two Towers understands that such wars are not fought by gods or demons, by myths or legends. Perhaps the movie trilogy resonated with audiences because it connected with anxieties around the War on Terror. The presence of these two actors is felt, but there’s more focus on the consequences of their machinations.Īlthough Tolkien would deny it, The Lord of the Rings has often been read as an allegory for the First World War or the Second World War. ![]() It is notable that The Two Towers is the only film in the original trilogy in which the voice of Sauron is not heard. The wizard Gandalf is much less active in the plot of The Two Towers than he is in the narratives of either The Fellowship of the Ring or The Return of the King. In contrast to the two films either side of it, The Two Towers seems rather less mythic. This feels like a story set during a war, not an epic adventure. ![]() Aragorn finds himself enlisted to protect the women and children of Rohan from Saruman’s armies. Given that Minas Tirith is largely abandoned when Gandalf visits it in The Return of the King, and Jackson decided not to include the Scouring of the Shire, The Two Towers is the only point at which the film trilogy really dwells on the immediate civilian toll of Sauron’s war. The Two Towers feels like an effort to ground the stakes of this conflict in more relatable terms. ![]()
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